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Kate Shu

Jennifer has been a Resident STAR Artist with the Kate Shu Collective since 2025.
Kate's "Jennifer Story"
"I'll never forget the first time I heard about Jennifer from a long time colleague and dear family friend, Julie Stevens, Professor of Landscape Architecture at Iowa State University. A relentless spark of curiosity led me on a quest to find Jennifer. But then there was the moment my eyes were graced with her gift of Art, in all of it's goodness, like a perfect childhood dream filled with rich color and beauty, a sort of innocence captured on canvas.
I remember preparing for my "big meeting" with Jennifer when I planned to present her with my business and concept and ask her to join. I had practiced all my bullet points and after awhile, she smiled and said, "you don't have to convince me, I'm in." Sitting next to her in her studio in Ames, Iowa was like sitting next to a bright light and a warm heart.
Her Artwork is phenomenal, the mastery of the architecture of color and shape, the depth and dimension, in her paintings leaves the viewer drifiting away into a vivid world of nature and imaginative scenic treasures. I couldn't help but be drawn in to her world of goodness. Her work with the What's Good Project, her leadership in the community, her ability to create synergy and progress as a change agent through creativity and innovation is a story that should be shared with the world.
Jennifer makes the world a better place and we're soooo fortunate to have her."

James has been a Resident STAR Artist with the Kate Shu Collective since 2025.
Kate's "James Story"
"James and I go waaaaay back to the University of Missouri Kansas City Conservatory of Music. We still love to reminisce about the days at Muddy's, Kin Lin, Saigon 39, none of which are there any more, orchestra rehersal at the Performing Arts Center, and the crazy fun times we used to have riding around Midtown, Kansas City in between classes and rehersal.
We used to go to the gym together as part of our daily routine and try and out lift each other, James always won. We loved to do intervals for cardio and would pedal so fast on the elliptical that the machine would start making horrible noises and then we would both die laughing and collapse on the handle bars out of breath. Then it would be straight to get coffee and food before rehearsal. Those were some of the best days and memories that have kept me close to James over the years. Perhaps one of the things I adore most about James is his remarkable dynamic personality while adhering to his steadfast character. Even with all of the goofiness, when James steps onto a stage, the energy in the room is instantaneously converted to a sense of artistry, elegance, boldness, and exquisite perfection. He's wicked good and mesmerizes me with his talent every time I hear him play even after all these years.
Intentionality is key when you're trying to make something great. In some ways, the concept and design of our business is a grand gesture to all of the gems and jewels I've found in my journey over the years with the greatest being extraordinarily talented people I love and trust like James. James and I met in 1996 and we still laugh ourselves to tears. James is the best of the best, as a friend and as an Artist, we're so grateful to have him." Kate

Paul has been a Resident STAR Artist with the Kate Shu Collective since 2025.
Kate's "Paul Story"
"One of the most significant and life changing moments was the day I discovered the world of Music Composition and Dr. Rudy, his style of teaching, and his way of thinking. I will never forget my first composition class, I remember feeling like the doors of classical music had finally been kicked wide open. Over the course of my undergraduate and graduate work at UMKC, I added Music Composition as a minor and double major and took every composition course I could. Many times I found my heart wanting to compose and create music over making reeds. Dr. Rudy, and eventually Dr. Zhou Long and Dr. Chen Yi forever changed my map and the path I would walk over the next decades in life. Dr. Paul Rudy is one of the most expansive thinkers I've met to this day.
The way Paul sees the "realm of possibility" is boundless and seeps through the smallest cracks creating light where there wasn't any, turning silence into sound, and recognizing the power of sound through music, not just in academia but everywhere, in healing, in balancing, in discovering our best selves, in our hearts, our brains, our psyches, and souls. He has an unbelievably insane gift when it comes to sensing energy. Although that may sound like some weird "artsy liberal" notion, it's an absolute fact and gift that unparallells most when it comes to seeing and sensing the world, things seen and unseen. Paul has been a steadfast advocate and advisor from the beginning of this journey and I couldn't imagine doing it without him."

Gary has been a Resident STAR Artist with the Kate Shu Collective since 2025 and is the first and original Artist that has served as the fuel to light the fire of the Kate Shu Collective Mission and Vision.

Mary Kay has been a Resident STAR Artist with the Kate Shu Collective since 2025.

"Early on in my music career, like in third grade, I knew I wanted to be 'an artist or a singer and move to the bright and shiny lights that danced in the night sky of New York City,'' and was more than happy to tell anyone who asked. Through out elementary and high school, I was drawn to anything creative and was fortunate enough to have attended Gilbert High School in Gilbert, Iowa, where I had excellent teachers and mentors when it came to "the Arts." Sue Lekwa, elementary music education, Brad Stellmaker, high school band, Cheri Schloerke, high school art, and others provided a safe space for me to explore, be myself, find myself, and love myself.
Back then Gilbert was just a tiny little rural school North of Ames, home to the Iowa State Cyclones. I was provided the opportunities to play as many instruments as I had the appetite to learn, play in every ensemble, sing in every choir, solo contest, and every art class offered to include culinary arts. I was really good. At least I was in the tiny little fish bowl I'd learned how to swim in.
When I went to the Conservatory of Music at the University of Missouri - Kansas City on scholarship in Oboe Performance, not only did I instantly become a little fish in a big pool, but I became awakened to just how expansive the world of the performing and fine arts was and could be. Over the years as an oboe major, despite studying with one of the most amazing oboists of this decade, Professor Barbara Bishop - Kansas City Syphony and having the privilege to take lessons from the world-renowned Kathy Greenbank - St. Paul Chamber Orchestra, over time I realized I was just not good enough to make it in the standard classical music world... winning the Principal Oboe position for a major symphony orchestra.
In retrospect, I still think I probably just wasn't good enough, but I also recognize that while many performance majors focused solely on their main instrument, I was always the one who wanted to do everything else as well. I played keyboards and sang lead and back up vocals in jazz, blues, and R & B bands for nearly two decades during my time in Kansas City.
Kate Shu

(Danaus plexippus): Many people and cultures around the globe associate the monarch butterfly with spiritual significance, representative of transformation and rebirth – the cycle of life, joy, positivity, and the promise of new beginnings.

Kate was born in Busan, South Korea and considers herself one of the “lucky ones.” Despite being abandoned at birth, at the age of seven months, Kate packed her few belongings, took her first global flight to the United States, and arrived in Minneapolis, Minnesota to meet her forever family where she landed in the arms of her parents who continue to be her biggest fans and best friends.
Kate began her artists journey at age 5 starting with Suzuki Piano. She selected the oboe in fifth grade based on her mother’s suggestions, but against the teacher’s recommendations, and in the hope of playing in 7th grade jazz band, Kate picked up the saxophone and instantly fell in love. At the end of her 7th grade year, Kate landed her first paid gig at the Lake Robbins ballroom in Woodward, Iowa with a professional big band specializing in swing, polka, square dance, tango, and samba. Her assistant band instructor gigged frequently with a number of different bands across the Midwest and asked her to ”fill in” for one of the tenor saxophonists who unexpectedly became sick and couldn’t play. This was the first time the notion of making money for being good at music had been introduced to a highly curious thirteen-year old. The thought of replacing her babysitting income with playing an instrument was incredibly attractive and sparked the entrepreneurial flames, the tenacity, and passion entrenched and ingrained in the thought architecture, business model, and strategic vision of the Kate Shu Collective and the Monarch Shoppe..
By the beginning of junior high school, Kate began singing and playing at church which introduced an entirely new dimension of her rapidly growing love of the arts through using her voice. As the 9th grade approached, there wasn’t an audience that was too intimidating, too big, or too small. The seeds of passion for the arts had been firmly planted, nurtured, and tended to along the way by teachers, conductors, mentors, and family. Because of the encouragement and support Kate experienced at an early age, her obsession and deep love for music and creative expression grew and flourished. For the next three decades, Kate would spend a majority of her time consumed by and engrossed in all things creative – theatre, painting, design, calligraphy, pottery, culinary art, textiles, sewing, clothing design, and of course music.
Kate’s creative development was most significantly shaped and molded by her mother, Cedar Rapids, Iowa native and Iowa State University graduate in child development and elementary education, and her father, Iowa City native and Iowa State University graduate and Professor of Landscape Architecture for 47 years. Throughout Kate’s childhood, her family’s unwavering support of the arts, their authentic love for life and deep commitment to the value of education, creative expression, and a respect for nature to include all creatures – leafy, twiggy, big and small has shaped and carved out a sacred space in who Kate is and is reflected in the mission, vision, and values of Monarch Studio Café.
While other children spent a majority of their summers in swimming lessons, or attending camp, Kate spent nearly all of her childhood summers traveling with her family, often including at least one set of grandparents. By the time Kate was sixteen she had camped, hiked, and explored nearly every national park, historic monument, botanical garden or arboretum in the United States. On several of these summer excursions, Kate assisted her dad with research for his second and third books and recalls following him and one of his colleagues around with a clip board helping to identify trees, vines, and shrubs native to North America.
Perhaps the most influential person that initially planted the seeds of Kate Shu Collective and Monarch Shoppe – the concept and the WHY, is her grandmother. To this day family members often comment “you’re so much like your grandmother.” Alda Mae Zahner Hightshoe (1929 – 2014), the youngest of six children, was raised on a farm in rural Iowa and occasionally reminisced on “just how poor they were.” One of the most memorable qualities of Kate’s grandmother was how she started every day. Alda began every day with running down a list of things that were “sooo beautiful.”
To this day, Kate has her grandmother’s artwork hanging on her walls, one of her favorites is a 4’ x 2’ peacock created in 1945 with an assortment of bedazzled buttons and jewels. Her grandmother received an art scholarship after graduating from high school, but because of the onset of WWII, and a lack of financial resources, she had to turn down the opportunity. Alda, like many women during WWII, became Rosie the Riveter, the American thing to do.
Kate recalls a special conversation when Alda was in her 90’s. She reminisced “I guess that’s one of the only things I ever regretted, I always wanted to go to art school, but I’ve had a good life, Katie, I’ve had a good life.” Instead of having the privilege to pursue her dream and procure her incredible gift, Alda spent the next 40 years or more working for a chicken factory, an assembly line during the war years, and later, on an assembly line for Proctor & Gamble until the day she retired.
While Kate’s childhood would be considered privileged, even idealistic to many, and despite what might appear to be a successful life of accomplishments on paper, with her very first breath, she began her ‘hero’s journey’ and embarked on a road less traveled. In every good story, the hero must overcome a period of darkness before finding victory most often depicted in a dualistic manner – the task of defeating the “bad guy,” but through the battle, facing the even greater task of finding harmony and truth in self, the inner battle, the cliff each of us will face at some point in our life.
Standing with our feet just a few steps away from nothingness, feeling the wind whip through our hair and clothing as we get closer to the top of the mountain, the chill in the air from the elevation, the sparseness of grass, trees, and green things. A little trip or the smallest stumble brings your heart racing like a stampede and the reality of "the higher you climb, the further you have to fall" becomes more apparent than ever before.
The most infamous films, literary works, and screen plays often unravel a story of the main character as a hero: a main character that possesses admirable qualities but faces challenges and overcomes obstacles, ultimately demonstrating courage and acting on behalf of humanity or for the greater good. The hero experiences many trials and tribulations throughout what’s called the “hero’s journey.” The external challenges frequently mirror and are intended to symbolize the hero’s inner journey. Just like any good storyline, there’s always a twist. Just when things seem too good to be true, the hero will succumb to what the Greeks called Hamartia, or the Tragic Flaw. A Tragic Flaw is a mistake or a character flaw that leads to the hero’s downfall and demise and often depicted as a character trait, like over-confidence, incessant pride, or childish greed.
All of the love in the world wouldn’t have been able to insulate Kate from her own “hero’s journey” and some of the harsher realities she would face in the years ahead. Being the only student that looked like her in the rural Iowa school Kate attended, she experienced bullying, ’othering,’ and a strong sense of not belonging starting at a very young age. In reflection, these first experiences with a world outside of the safe haven of her parents coupled with trauma that she associates with abandonment and other challenges not uncommon to adoptees, she struggled with self-love, a sense of pride, abandonment issues, and a fractured sense of identity.
As she entered junior high school, Kate recalls a cloud, maybe it was sadness or repressed trauma from birth, maybe it was shame, a mental health crisis, or depression, maybe it was just being a teenager, but a cloud moved in and it stayed for awhile. At the end of her first semester in college, Kate found herself struggling in school, making poor relationship choices, and eventually ended up in a brush with the law, all before the age of 18.
One of Kate’s greatest strengths is her sheer will power to succeed, her relentless optimism, and an eternal flame that’s tenacious and resilient unlike no other.
Kate feels that part of the human experience and her commitment to being a lifelong learner is “being just a little bit better every day knowing that a little bit better every day adds up to a whole lot better over time.

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The Kate Shu Collective & the Monarch Shoppe
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